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Movie Review: A United Kingdom Combines Race, Love, and Politics

A United Kingdom merges the credibility of a true story with romance and international intrigue

In 1947, a young man meets a young woman at a social event. They talk and dance and enjoy each other’s company. He asks her out again. She accepts. Once more, they have fun together. It doesn’t take long for them to fall in love. This a common scenario, especially for that time period. But other factors make this match much, much more complicated.

He is Seretse Khama (David Oyelowo) the King of the African nation of Botswana. She is Ruth Williams (Rosamund Pike), a London office worker. He is black; she is white. Their proposed marriage is challenged not only by their families but by the British and South African governments.
South Africa has just introduced apartheid, a series of laws designed to keep blacks and whites separate in almost every aspect of life. And a highly visible interracial couple, especially a black man and white woman, in a neighboring country threatens the foundation of these new laws. The British, heavily reliant upon South Africa’s uranium and gold, doesn’t want to upset its trading partner. Further, there is also a risk of war if South Africa invades Botswana, a British protectorate.

A United Kingdom is a fascinating story that would almost be unbelievable if it weren’t true. And it’s a See It! The story moves quickly through the mutual attraction which overwhelms Ruth and Seretse. Each seems to believe that the other isn’t as serious about the relationship as he or she is. As the story develops, it’s clear that there is nothing political or Machiavellian about their love. It’s pure and natural as any bond between two people. Yet her father disowns her. His uncle who carefully molded his nephew to assume the mantel of power now views his mentee as unfit to serve as king.

A United Kingdom effectively depicts the political atmosphere at that is extremely hostile to a union that in today’s world would cause in many cases, no more than a minor stir. (However, there is a bit of a buzz over Prince Harry’s current, apparently, serious relationship with African-American actress, Megan Markle.)

The dialogue is used as a powerful device to capture the sentiment of each side. Ruth’s sister who supports the relationship nevertheless reminds Ruth of English facilities that post signs: No blacks. No Irish. No Dogs. And Seretse’s uncle delivers a powerful speech besieging his countrymen to reject his nephew as their leader pointing out that the British would have never allowed Princess Elizabeth’s ascendancy to the throne as queen, had she married a Negro.

But filmmaking is about basics. And, A United Kingdom is a love story and it doesn’t work unless Rosamund and David sizzle together - and they do. They worked together before and Oyelowo hand-picked Pike for the project. They create the on-screen bond which convinces audiences that they could withstand international manipulation and hostility.

The film is directed by Amma Asante, who is British, and whose directing credits include the film, Belle. She, a black woman married to a man of Scandinavian heritage said in a recent interview that all interracial marriages even today, are political - or at least viewed that way.

A United Kingdom is Rated PG-13 for some language including racial epithets and a scene of sensuality and is 111 minutes in length. It will educate, entertain and amaze you. And it’s a See It!

Movie Review: Say Hello to The Bye, Bye Man

It needs some work but it’s a nice house, large rooms, furniture comes with it, so the three college students who need a place to live decide to rent it. Elliott (Douglas Smith), his girlfriend Sasha (Cressida Bonas), and his friend from childhood John (Lucien Laviscount) move in. Immediately they start seeing things. A tall skeletal man in a hooded robe moves about. And of course, they hear noises. Kim, (Jenna Kanell) a friend of Sasha’s, conducts a séance and realizes that these occurrences are not Elliott’s, Sasha’s and John’s imagination. There’s really something going on in that house. Elliot goes to the college library to research some writings he found in the house and links a mass murder almost 50 years ago to the events going on where they live.

The Bye, Bye Man is a low budget film starring a group of relative unknowns but it just somehow comes together. And it gets our highest rating, See It! First and foremost it’s not predictable. It does have unlikely character responses, typical of horror films. But, The Bye, Bye Man isn’t full of “you’ve seen it all before” plotlines. The stress of living in the house creates some intriguing conflicts between Elliott, Sasha, and John.

I have written before about the importance of writers creating characters that viewers connect with. The screenwriters succeed here; because this is a group that you’ll root for. The Bye, Bye Man actors are relatively unknown but proffer solid performances. Cressida Bonas is not as well-known as an actress as she could be considering a few years ago she drew international attention as Prince Harry’s steady girlfriend.

Veteran actress Faye Dunaway has a small supporting role. (I have to admit I thought she was dead.)

The Bye, Bye Man gets a B+ for cast diversity. It’s very diverse in terms of black actors, including Lucien Laviscount in a leading role, but Hispanics and Asians are non-existent in this movie.

The Bye, Bye Man was shot in Cleveland in five weeks with a minuscule budget of $10 million. Also, it ends in a way that opens the door for a sequel.

The Bye, Bye Man is rated PG-13 (for terror, horror violence, bloody images, sexual content, thematic elements, partial nudity, some language and teen drinking) and perfectly timed at 96 minutes. And it’s a See It!

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